an acrid set-in petrifies clag, motives inclined to traits of haze. tri-oral sex ring flesh propellers run through the seal with lizard membranes. prismatic accelerants confined to a lash that gleams in the latex of a prank eye. nodules of sulfur linger on the dust a colonic bank-log has kissed.
after the Kodiak Locust Cotillion*, cruel-minded anti-comedians empty bottles of wine into the back of a flat screen tv... masticating in the slush of burn-ward husk-voids, creases bubbling about the rim where braids of lard had broken their skin.
*= the Kodiak Locust Cotillion is a costumed debutante ball thought to be hosted by a consordium of wealthy famililes and political dynasties, further sponsored by big buisness interests and even shadier criminal backings. the origins of the KLC date back to the late ninteeth century, when Beauford Grayle, the "runt" of the wealthy Grayle family, would for the benefit of his extended family and their associates, display pubescent slaves he had on loan from his slaver father Windham, alongside other "oddities" he claimed to have acquired in his "travels". these "oddities" were often dead animal parts that Beauford himself had stiched together, which he claimed were the excavated remains of ancient races of tribal god-beasts. over time, the KLC got bigger, shinier, and attempted to distance itself from its ghoulish roots... though Grayle's "tribal god-beast" collages are often represented in the masks worn by the party-goers and pageant contestants.
buck knife horizon. baby head tea bags on flypaper sundress... their shapes in curatins of claw-rashed charcoal, inlined by DNA seizures in extreme star-burst.
DVR passed around subtereanean grapevines labeled "KLC Screener". naked woman suspended by her arms, bound wrists zip-tied to a light fixture in the ceiling, ankles cuffed to a ball and chain. on the wall behind her, there is an assortment of stun guns, tasers, and cattle prods that have been arranged to replicate a metropolitan skyline.
a new figure slips from a glitch into view. masked in the face of a vulture hooded like a cobra with horns of a bull. fingerless leather glove on the left hand. jointed skeletal razor-brace on the right hand, each finger tipped with a reed needle. knee length brown rubber butcher's smock under army camo bomber jacket. cuffs of white slacks tucked into unlaced black boots.
the figure runs the outside of their clenched right fist around and across the back and front of the woman, the wires of the hand brace first leaving shallow cuts that are soon sliced deeper with the exponential intensity of the slashing's rotations, with singularly aggrieved attentions paid to the areas of breast, ass, and cunt, until the gashes leave the midsection resembling a gluey lattice strap-dress of construction paper mache.
after teasing the exposed nerves with hooks of the reed needle fingernails, the figure methodically steps toward the mounted arsenal of cattle prods, tasers, and stun guns, pressing each one against the woman's weeping cuts until their batteries are exhausted, the smoking blood having been broiled into scabs of cauterized gold.
the scene jumps to a climax where the figure drives the bull horns of the cobra/vulture mask into the eyes of the woman, pulling until they are voided from their sockets. the figure then jams the buisness ends of taser-batons into the gore of the eye sockets, once again hyper-draining their charges into the mucosa-wet optic craters.
after this DVR was spread around, several collectors and commentators saw fit to give the figure a name... or perhaps more accurately a title; "SKOTOSEME", after the figure's costume was noted as bearing a strong resemblence to a rank of "Machine Men" of the same name from the ultraviolent extreme horror tabletop role-playing game TOGORA (short for TOrture GOre RApe); where players are encouraged to create and act out their own "snuff films".
some suggest that the clip is a sub-viral marketing hoax for the latest TOGORA expansion pack, created by the game's publisher Underphale, after it was noted that the woman in the video was rumored to be Abby Aurilean; a mid-tier theater actress who some times appears as an extra on the sketch comedy program Circular Firing Sqaud. an "A. Aurilean" is also listed as a writer on the bizarre late night sex chat show Bangin' Away With Darla, which is essentially a paid advertisement by Underphale, offering extended promotions for their products and content, including the graphic sexual horror that is TOGORA.
Darla Ng (the program's host) initially launched Underphale as a high-end BDSM art magazine, before expanding into toys, games, and video productions.
the validity of the above claims has not been able to be confirmed.
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